A Brick Is A Poem
An object soaring through a window,
shattering glass, shattering barriers between
inside and out, between image-object,
subject-object, between two-distinct-images-
mediated-by-the-viewer’s-engagement,
a brick is a poem launching through
the spectacle of perception: it breaks,
it makes, it’s a weapon, it’s a chisel—
destruction and creation contain bricks:
like the yin, it is a symbol of darkness, shade,
passivity, comfort, earth, of places meant
to contain us, shelter us, and like the yang,
it is the sun, our passion, action, labor, activity.
A brick is the womb of an idea, the starting
point at which thought and action converge
like primer in a pistol, or grain in the baking
of bread. With it, we can build a house, or
we can bring one down. A brick is a poem
when it fractures the windshield of a police
cruiser, and no less so when the final one
is lathered in cement and laid upon a home.
A brick, like an empty page, is potential.
A brick in your hands, like a pen, is power.